This event is sold out.

In The Last of the Sea Women, an extraordinary band of feisty grandmother warriors wage a spirited battle against vast oceanic threats. Peering into what drives haenyeo young and old, this moving documentary zeroes in on their tight-knit friendships, savvy independence, and infectious sense of empowerment, unfolding into an uplifting tale of women taking on world powers to protect their beloved ocean and inspiring a new generation.

Inspired by trees’ underground communication network, composers/performers Angélica Negrón, Darian Donovan Thomas, and Raquel Acevedo Klein collaborate in an evening of live unfolding soundscapes using voices, violin, plants, flowers, bells, synths, accordion, water, found objects, and mechanical percussion. Floresta also features technology from MIDI Sprout, which will be used during the performance to translate plant biodata into music.

Inspired by trees’ underground communication network, composers/performers Angélica Negrón, Darian Donovan Thomas, and Raquel Acevedo Klein collaborate in an evening of live unfolding soundscapes using voices, violin, plants, flowers, bells, synths, accordion, water, found objects, and mechanical percussion. Floresta also features technology from MIDI Sprout, which will be used during the performance to translate plant biodata into music.

Inspired by trees’ underground communication network, composers/performers Angélica Negrón, Darian Donovan Thomas, and Raquel Acevedo Klein collaborate in an evening of live unfolding soundscapes using voices, violin, plants, flowers, bells, synths, accordion, water, found objects, and mechanical percussion. Floresta also features technology from MIDI Sprout, which will be used during the performance to translate plant biodata into music.

Augsburg University’s Schwartz School of the Arts hosts an evening of narrative, performing, and visual arts that explore the impact of climate change on our physical and psychological worlds.

Join us for an evening of film, food, and conversation with Minnesota composer Mary Prescott at the premiere of Mother Tongue, a new work commissioned by The Great Northern.

Thoughtfully helmed by acclaimed director Jeff Orlowski-Yang (Chasing Ice, Chasing Coral, The Social Dilemma) and first-time filmmaker Sarah Keo, Chasing Time is a meditative exploration of time and mortality, following James and his crew as they bring the decades-long project to a close, cataloging more than one million images in the process.

Indigenous Two-Spirit singer and composer Jeremy Dutcher (Tobique First Nation) makes his Minnesota debut at the Great Northern 2025 with a show at Ice House.