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Lyra Pramuk

  • Icehouse 2528 Nicollet Avenue Minneapolis, MN, 55404 United States (map)

Lyra Pramuk

Wed, Feb 2, 8 pm (5 pm doors)
$25 advance ($30 at the door)
All ages

Please note: Proof of a full course of COVID-19 vaccination or a negative test taken in the prior 72 hours is required at the door. Masks are required while not eating or drinking.

“The sheer breadth of Pramuk’s vocal manipulation on Fountain is thrilling” –Pitchfork

Singer, composer-producer, and performance artist Lyra Pramuk performs songs from her debut album Fountain, “a journey through experimental sounds and electronically reshaped vocals” (Metal Magazine), in this intimate, deep-listening event exploring the humanity-technology relationship and a non-binary understanding of life and fragile ecosystems. 

About Lyra Pramuk:

Devotional music, at its core, embodies the deep-seated human urge to express our innermost, primal emotions. For Lyra Pramuk, devotion is ingrained in her futurist folk music that harnesses the power and giddiness of technology to present the human voice as an object of limitless possibility. Growing up singing in choirs, Lyra struggled to conform to the images and expectations of her small Pennsylvania town, creating a deep and complex internet-fueled interior world in response presaging her view of digital worlds as extensions of our embodied consciousness, liberated from real-world notions of presentation and acceptable knowledge.

A diligent student at the Eastman School of Music, she learned that her skills lay in breaking with and reinterpreting the traditions of the academically-pure classical music that she was expected to uphold. Her interests lay more in pop and opera, counting Björk, Laurie Anderson, Meredith Monk, M.I.A, and Missy Elliot as inspirations—all artists who exemplify her mantra that “songcraft is a way of short-circuiting the structures we are sold as real differences in the world.”

Finding communal ecstasy in the temples of choir and rave, Lyra’s immersion in the Berlin techno scene inspired works—including collaborations with Holly Herndon and Colin Self among others— that imbued ritualistic dance floor experiences with a sense of sonic intimacy. A deep embrace of a spirituality unconstrained by imposed orthodoxies drives her compositional and performance processes. Body and spirit enter trance states in live performances, both fully ensconced in the worlds she projects—worlds where every utterance can sparkle with flame and purpose, and sound is truly seen as an extension of our physical bodies and conscious desires.

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February 2

USA vs. Honduras: FIFA World Cup Qualifier at Allianz Field

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February 3

Gabriela Lena Frank & J. Drew Lanham